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AAD-28: It involves liquefaction
(04 Jul 2016 at 10:14) |
Good day fine listener! I have created a new album, and It involves liquefaction!
82# pee: It involves liquefaction
That image is kind of how my ears feel right now. This one was difficult for me, and I'm assessed a penalty of at least -1,000 POINTS for Album-a-Day rules violations, including a 6 hour bike ride in the middle of day 2, and probably exceeding 24 total hours of work. But I like don't think the rules apply to me man.
Some things that made this one hard: I'm definitely out of practice playing the guitar, writing guitar songs, and recording. Most of the guitar songs were a slog and sound derivative to me, and hurt my guitar fingers. I wrote a lot of techno songs, which came out more easily, but the default tempo has increased from 100 to 120 BPM, and I think I get more readily bored with repetition, and so I'd often find myself spending a solid hour at the piano roll and then find that the song is only 1 minute long. But I finished, and there are some parts I like!
Some songs of note: Business Logics is my attempt to write jazz (ha ha). Dude ascending a staircase was the only guitar one that came out Metamucil-style. Bromides was my absurd attempt to cram the zillions of suggestions for song ideas and titles on Facebook into one song. Song about owls for children is by request for my nieces and nephew, and I'm trying to channel TMBG here, but obviously failing. You can mix and match or listen to the whole thing; it's only 20 minutes.
Note that #28 makes this a whole month of solo AADs, if that month is February and it's not a leap year.
Here is a zip file with all songs. | |
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Tom 7 album-a-day #27: Pro se? ick.
(08 Mar 2011 at 00:12) |
Hello. Welcome to my 27th album-a-day, called Pro se? ick.. Editor: Double period warranted because one of the periods is in the title and one ends the sentence, duh.
AAD #27: Pro se? ick.
Thanks to new zip technology, you can now just download pro-se-ick.zip which contains all music! Surely the best way to enjoy music is to listen to it, but some context may help:
I made this one on March 6th and 7th, 2011, taking a vacation day. Realistically I spent almost two days on it, but probably still less than 24 hours. Since I am a bearded old timer I do not feel particularly compelled to follow album-a-day rules. I also violated the rule about not writing the material afresh, i.e. the plaintive version of Spring Break Pittsburgh 2006 wooo from AAD-20, but it seems topical since it is currently Spring Break 2011, wooo. -1,000 points! Spoiler alert: I'll argue self-defense.
I made my life extra difficult with this one by holding myself to modern standards, plus trying to minimize repetition in song structure, plus embedding multi-level puns and references and entendre, plus trying to use diverse and dense instrumentation. I think I succeeded, but I sure sacrificed some stereocilia. I also must say that while some songs are literal, not all songs are literal, and when I got stuck I preferred to go with the good line, even if it made it inaccurately dark.
Now just get zip or browse page! | |
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Tom 7 album-a-day #26: Method and apparatus for removing the lug nuts
(07 Jul 2010 at 01:35) |
As has become something of an Independence day weekend tradition, I recorded another album-a-day yesterday and today. It's called Method and apparatus for removing the lug nuts and it's my 26th solo affair:
Method and apparatus for removing the lug nuts
The title comes from an "invention" I had during an unusually coherent dream yesterday. Last week (this part is real) we were playing soccer when a lady came over to ask if anyone could help her change her flat tire. I tried but could only get two of the four lug nuts off. Since I was disgustingly covered in soccer sweat and only making the tire iron less effective with that, and not to mention that in my absence Disney—that was the opposing team—scored on us, which I will have none of that (don't worry, we won in the end) I went back to the game and summoned more burly computer scientists to replace me. They did succeed just as the AAA professionals arrived. But anyway, yesterday I woke up having dreamt an idea of how you could use the car itself to undo even the toughest nuts. It's illustrated above. For all I know it's totally standard advice, or maybe even very dangerous or ill-advised (an alternative is to use the jack, but I don't think you'd get as much instantaneous torque). But that's okay because this is not a real patent, it's just the title of my album and the name of the title track, a techno dance party which happens to be my favorite. That track and others:
Method and apparatus for removing the lug nuts. Already backstoried. I think the best track on here. How could a chorus in 47/16 time be so catchy? It's a mystery to me, too.
Nothing makes cars flip out like seeing a bike. Based on a very embellished non-true story inspired by July 4 events. A theme of this album is the narrator insisting that other people "do their jobs" at inappropriate times.
Peace is rest. My entry for this week's songfight. I think this is another of the best tracks. It has percussion using a real percussive instrument, which is new. Also the thematic insisting.
TV chef breaks pizza record. Front-page headline, mainstream news.
Only ___ would rhyme ___ with ___. Uncharacteristically restrained MIDI ballad.
2 am pancakes. True story, but a pretty bad lexicographic pun.
Vulgar fraction 3/4. Straight-up 8-bit ditty.
Literally fall. Something weird is going on with this one, dynamics-wise, like there's a hidden compression plugin I couldn't find to disable. Oh, well. If you find the lyrics annoying, rest assured that they are much much better than the placeholder lyrics.
Label me purple. After achieving the singularity, mankind built a machine to judge them. It always reports "purple", the second-lowest rating.
When people tell me that I am a pretty good dancer they usually look surprised or like I should be surprised. This is true.
Life's a bleach. I'm sure this is an old pun, but I did enjoy it and writing lyrics for it, especially because I love rhyming science words.
Thanks to those who contributed ideas and titles. To enjoy/dismiss music go to the page and download the MP3s for free. | |
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Album-a-day #25: everylyyly everyy must it & & than an
(04 Jan 2010 at 15:44) |
Happy New Year! Please enjoy the bold studio music sound of my 25th solo Album-a-Day, called everylyyly everyy must it & & than an.
Tom 7 album-a-day #25: everylyyly everyy must it & & than an
Like last time I got a massive response to my request for song title suggestions, using the Facebook. Thanks everylyylyone! Of course I couldn't use them all, but many of these are based on suggestions, and also there are many that made it as lyrics, or that I make oblique reference to in the lyrics. Hear it for yourself by putting the bold studio music sound in your ears, but you'll probably have to wait until tomorrow for me to post the lyrics, cuz I don't have internet at home due to a billing mishap which is a separate story.
Song key:
Why we don't allow eleven year-olds to run mining operations. Love this one. In these intense guitar-detuning and partial capo configurations, it's a miracle to be able to be able to find multiple parts with different feels, like the major-key chorus. Lucky. One regret is that I didn't let the improvized coda go on longer; I should know better because these often become a favorite part of the song (e.g. Poison Control.)
Sane clown posse ‽. I like the verse motif in this song. I wish it had a more distinct chorus, but I can only blame myself. Would have been called "hot interrobang" (interrobang is the ‽ symbol, which is like a contracted !? only used by nerds and tasteless typographers) by popular request, but I wanted to make sure that my favorite line in the song made sense, so it needs help from the title.
Once upon a tonic clonic. Techno dance party.
A mundane baking event that became a dessastert/confectastrophe level incident. Based on a true story from New York City that Copix or Spoons can tell you about.
Prophet solves the case (it was easy). I felt like this one was a little bit too sparse to be an instrumental, but too spacey to be filled with words, so it has the odd quality of having an instrumental "chrorus", but that doesn't make it less snoozy.
Sistema de entretenimiento de Tomas Siete. Sing me Spanish techno?
My brother's cat which is called Dr. Turtledog, Ph.D.. Mike and Erin are getting a cat and they've already decided to call it Dr. Turtledog, Ph.D., which was my idea.
Regretted purchase. If I was allowed to axe songs from Albums-a-day, this would be the one I'd axe, though it is not entirely without merit.
Watermelon Town, technically Watermelon Township. Okay, here you can really tell I'm making a logorrhea joke in general, because there's just no reason to clarify the incorporation status of this fictional township in the title, especially since that's never referenced in the song. But I do like the logorrhea jokes.
Mr. Natural vs. the Clothes Fascist. At the piano roll recently I have some ailment regarding triplets and polyrhythms. This worked out fine in Once upon a tonic clonic, but this song has at least three failed experiments crammed into it. Likable for a dumping ground though.
Wrecking the ghostlines. This mysterious title was Amy's suggestion. I like writing songs around mysterious titles because it helps me avoid my undesired tendency towards literalism.
* This asterisk coming up is a footnote, which should read "Actually I do endorse these two."
As always, the Tom7.org Foundation would like to remind listeners that the opinions or events expressed in lyrics do not represent the official position or behavior of the lyricist or singer-man (same), and that the Foundation does not endorse drug abuse (prescription or not), improper disposal of handguns, flouting of mining statutes, illegal fireworks or nudity*, or baking with the wrong equipment. Safety is the biggest rush. | |
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Album-a-day #24: Baking about architecture
(04 Jul 2009 at 22:47) |
Good day! It's a long weekend in the USA and like last year this time I recorded another album-a-day. It's called Baking about architecture. In music I only believe in one kind of cover:
This was a sort of interesting one. It was my first AAD with my new guitar, and also a new mic and preamp. I also more than usual scheduled this one mentally, somewhat in advance (and then withheld guitar from myself so that I'd be itching to go). The weirdest thing is that typically the first song or two I crap out is pretty bad and then later on I have these moments of inspiration. But this time the first was Eating buildings and then some one-minute throwaway thing that became A tribute to attributes and then Text me like where's Rite Aid at. Eating buildings and Text me like... are easily my favorites on the album (if you only listen to a few songs, make it those two.) I got excited by these early successes and spent a long time on them, particularly on lyrics, and then after five hours I was like jeepers I've recorded less than four minutes so far. After that I was a little burned out and had to pick up the pace. I have a new strategy, which is when I feel like a song isn't going so well, I just cut it loose, meaning I finish it but as quickly as I can and don't sweat it (0xCAFÉBABE), so that I can save time for those critical moments.
I have a bunch of new/different equipment and tech now, so I'm interested how you think it sounds from a production standpoint. Obviously I am really cranking the levels as usual; I am just trying to do my part in the dynamic compression arms race. If you are keen to this kind of thing you will notice a lot of punching in and out, which I hate the discontinuity of, but this was part of my expedient process of recording my lyric ideas and melodies as I was writing them so that I didn't have to put them down on paper/emacs so much or rerecord when I'd screw up one bit.
Production notes:
When I set out to make an album I sometimes solicit song titles and lyrics ideas. This time I did it on Facebook and got loads; there were too many to use but lots of these are named by suggestions. Some made it in as lyrics, too.
Eating buildings.  I really like this one and it's an obvious opener. Lotsa good lines, and probably the best-recorded guitar one. Eating Buildings is the team name we usually use for puzzle competitions, but this song is more literal.
A tribute to attributes. The only two redeeming things about this song are the title (though not really that clever) and the part where I list some things and their attributes, which depending on what circles you roll in you may be able to figure out. I sandwiched it between my two favorite songs so that you get it over with quickly. (Also then the first 3 are in chronological order.)
Text me like where's the Rite Aid at. Everything really came together for this one. I discovered a new music fact: Triplets are super danceable, particularly when syncopated with some "regular" power-of-two stuff (the "you were so beautiful..." part).
It's so mutual. You can tell when I'm starting to feel impotent on the guitar because I start detuning it, but then you get these drone zone ditties where it's impossible to be catchy. It's not bad, just a snoozer.
Love, train & rust, wrench. Usually during the course of the day at some point I'll pick up the guitar and a song will come to me without any obstacles or anything. These are always refreshing. Max gets credit for the best line, "Sacajawheel-'o-fortune". Note that all of the electric guitar parts in the last 4 songs I've posted on T7 Radar are extremely blaring. I do know how to turn it down, but it's currently set up that way and I just think it's so funny!
Helpy, Invert, Soft Pinky & Flexoid. As my synthesizer ages (now about 15 years old, making it almost vintage) it's interesting to see how useless its once hi-fi General MIDI patches have become. I spend all my time in the extended zone mining it for delightfully ironic fake-sounding stuff like "Tron Flute" featured prominently here.
I'll be acquitted. This is this week's songfight. In songfight, internet people all write a song with the same title and then the songs "fight" with voting. A whole week to write a song is way too snoozy for me, but I like those guys and sometimes do the songfight song when making an AAD.
Mosquito romance. This song was built around this musical element seen in the first bar, which is an increasingly thick series of chords (1 finger, 2 finger... 7 finger) followed by an abrupt faint simplicity. It works great right before the switch to "Malaria..." but the rest of the time it just makes the individual parts seem disjoint so that the song doesn't flow very well. I still like this one.
0xCAFÉBABE. This was the most painful one, when recording. I just couldn't come up with any lyrics or melodies beyond the opening "Cafe babe!" which is annoying after pretty much the first time. You can tell when I just start doing 59th St. bridge song stuff, barely even trying. (Listening back, it's not really that bad.)
You mean FIRENZE?. This was a song title suggestion, which means I don't know if it's an overzealous correction about the local name of Florence (I imagine some high schoolers on a big trip for their Italian language class and there's the one kid who insists on speaking even English in an Italian accent when over there, and has even taken up smoking for cultural accuracy) or whether basically the same image but about Harry Potter fandom. Features my signature 2K+-era sine wave add-chords, a style I like to call "DTMF Jam".
Why won't it melt?. Speaking of Def, about a month ago I first realized what "Mos Def" means. The best science pun in this song, which is ungettable unless you read the lyrics or I tell you now, is about the Mohs hardness scale.
Themes (gotta catch 'em all): Non-human creatures in love Things being black Car crashes Love perimortem French words Sudden abrupt quiet during techno
Now get album. | |
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AAD-23: sk7 or die!!!
(16 Dec 2008 at 23:19) |
Hey you guys remember when on Saturday I woke up bursting with energy and I was postin' like oh hey I'm not going to start any new projects until I've tidied up these already existing almost done projects? Well right after I said that I started mixing the The 7evenths MP3s (coming still) and on the second song I thought hmmm this would sound good with a little extra guitar so I got out the mics and plugged all that stuff in, and then at that point all the hard parts of making an album were dispensed with, so then many hours later there was my 23rd album-a-day, sk7 or die!!!.
It took me a few days to get around to posting this so I'm past the phase where I'm totally burned out and hate everything about it. There's some good songs. Notes and hints:
Sun beam melts ice girlfriend. I'm proud of this one. It just jumped into the brain, in that way that makes me feel a little uncomfortably like I'm just remembering some song I've heard before. Based on the tuning, partial capo, and lyrics I'm pretty sure that's not the case. The first half of the second verse is probably my favorite lyrics on the album.
A for amateur. This one is about paper.
Contessa with the shoes on. A throwaway 8-bit affair. When the bass comes in I like it better than the other one, but then it's over.
Butter car. I think this one's really close to being a top notch song, but it has a handful of cop-out lyrics, some sloppy playing, and a couple of lines that aren't delivered right. Deserves polish and a rerecording. (Butter Car is a strange in-joke from Murphy family Pictionary games.)
Contains lemon-lime taste idea with no natural-seeming flavors. If you are empowered to put this disclaimer on a product, please do.
The gift of beer: the gift that keeps on giving for 45 minutes. One of those songs where I am running low on ideas so I sing about some things that are on my desk or in the news, like beer and Christmas.
Investment banking is a myth. This one also came extremely easily. It's fine. My favorite part is the "revise, resubmit" line (jargon from the academic journal biz).
Cricket chirps or mp3 artifacts? You make the call. This is a field recording, where by field I mean the room where the lizard lives. I thought I was going to need it to round out the 20 minutes but it turned out it wasn't necessary. Field recordings containing environmental sounds are like the peanut butter glue holding cohesive albums together.
Nurturing Parent v. State of Mississippi. Almost called Negligence Torte, but I couldn't resist emphasizing this ridiculous refrain. I wrote this one while I was waiting for my Chinese food, by humming.
Dynamite lettuces. My plan here was to make a nice wandering chiptune with lots of parts that blended into one another, since I can do that late at night without disturbing the neighbors. But I went to a party and was pretty tired when I got back, so it is a medium-sized short-walk chiptune that probably seems pretty undirected. Oh, well.
Some old coffee in the new coffee. This is probably the most Tom 7-formula guitar track, but it does have a certain cleanness to it and I think the twist that the lyrics take is pretty funny.
Theme from Costco. I recorded the guitars for this very early on, but it was the last one I finished. I frequently used a technique on this album (which I think works pretty well) where I would record nonsense lyrics in order to come up with a melody and maybe lyric sound ideas, but this one the nonsense lyrics made enough sense and I was tired enough that I just kept them.
I'm still not keen on my newest recording setup and I miss Cubase and VSTDynamics. But it could have been worse, I could have spent the weekend tidying up already existing almost done projects instead!
Like usual you can snag the MP3s at Tom 7 AAD #23: sk7 or die!!!. | |
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AAD-22: Conditional Independence Day
(09 Jul 2008 at 08:57) |
Spoiler alert! This album-a-day contains spoilers for the TV show Lost (Season 2). (I always wanted to say that, heh heh.)
On the 4th of July long weekend (Independence Day in the U.S.A.) I recorded another album, called Conditional Independence Day. That is a tepid probability joke. It is becoming increasingly difficult for me to find a solid free day to do this, and since I've made something like 25 of these now, also increasingly difficult for me to be all uppity about the AAD rules. I certainly spent less than 24 hours on it (probably about 12) but they certainly spanned more than 24 because of a number of other fun things I didn't want to skip out on during the weekend. AAD regulars know this means at least -1,000 points for me.
I think there are some good songs on here. I kept them all in standard tuning plus capos that I have handy, because even though I love alternate tuning and weird preparations, I hardly ever play a song after recording it if it requires a lot of setup. I've gotten less bashful about playing for other people so this is important now. I actually found it very pleasantly easy to write these songs this time. On the other hand I had a muy malo time recording: Since I've gotten a new computer with Vista my old software (Cubase) doesn't work any more, and I can't emphasize enough how important it is to be familiar with your equipment and software and know how to get a good sound out of it without struggling. I struggled and my voice was failing from a cold (which you can hear prominently in Poison Control) and astute listeners will easily be able to tell in a bad way how many times I punched in on the vocals. Often I was just like, screw it. That's fine since AAD is not about perfection, but it is disappointing to me after reaching the level of satisfaction with recording process that I had on say Betrayal at the Knights of Columbus to take a step backwards. Oh, well.
Sometimes people complain that they cannot understand my songs as respects lyrical topic. For this album I therefore present to you this useful collection of abstracts:
Post-Glacial Identity. An iceberg with anxiety disorder risks withdrawal pangs for a chance to feel again—but is the melting glacier a metaphor for the disintegration of a relationship, or is it the other way around?
Oddity. Given the wherewithal by watching VHS archives of their favorite childhood television shows, a young couple attempt unlicensed surgery to remove a vestigial craniopagus twin from their newborn child.
New York Welcomes You. An out-of-state visitor gets a rude reminder that ignorance of the law is no defense, but a lucky blunder allows him to escape—only to find himself embroiled in a life of crime.
Theme from LOST. A flight from Australia crashes somewhere in the Pacific, and the passengers must fight to survive—but who are they fighting? (Meant to be an inappropriately sappy theme song for the television show.)
EURion. A clerical error leaves an important project sixty seconds shy of its intended length, but time stretch technology allows an impulsive recording to save the day at the last minute—literally. (True story. The epitome of filler.)
This Works on Average. A svelte woman needs a tracheotomy after shouting so many times at men who pick her up—literally.
Conditional Independence Day. A prodigious youth attempts a record-breaking marathon session of Dromedary Kong—but in his haughty carelessness is defeated on level 5.
Dioramarama. Upon closer inspection, an extra credit project proves to be a sophisticated and manifold booby-trap.
Poison Control. A cable installer unable upsell his customer to the extended package connives a complex long-term poisoning gambit—in an attempt to turn a later visit into a sexual encounter.
Full lyrics and tablature are available. Thanks to those who suggested song titles and topics. Now go to AAD #22: Conditional Independence Day to listen. | |
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Up-to-date: Album-a-day
(22 Mar 2008 at 12:33) |
Wowza, I knew I was behind on album-a-day updates, but when I finally got around to posting the backlog (and I was doing this thing where I don't pee or eat until I'm done even thought I definitely need to eat and pee because of all of the coffee) I realized that it was over a year overdue! Now the album-a-day page is up to date. We can have a little party because this last batch of updates (53) put the total count (388) past 365, which if you think about it, means that this project has wasted/enriched a whole person-year of music making. (OK, not really, since most people do not spend the whole 24 hours making music. But it is symbolic, dude.) I apologize to all the AAD faithfuls for taking so long with their albums. The main reason for this is that I have a half-written automated version of the AAD submission process, so the idea of doing this manual cut'n'paste business is extra off-putting.
Another thing is, someone mentioned in the submit comments that he had heard about AAD in an NPR segment about National Novel Writing month, which also mentioned AAD. Did anyone else hear this or know where I could find it?
By the way, since it's been about 10 years since last time, I have begun ListenQuest Maximus 2008. This is where I listen to all of my CDs in their entirety (I have like a thousand??). You can tell that I'm doing this because it is the only occasion in which I listen to the Mighty Morphin' Power Rangers soundtrack that I ill-advisedly bought when I was a They Might Be Giants completist because it had one unreleased song on it. So, like, do not take my recently listened box as any kind of recommendation for the next several months. | |
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AAD-21: Exile on Atari ST
(17 Feb 2007 at 20:08) |
My 21st Album-a-day is now available! It's called Exile on Atari ST. The Atari ST was the computer that I grew up on... I pretty much learned to program on that thing. I think part of the reason that it took me a year to get around to making another album was that I really liked my last one and I was worried about whether I could repeat that success. I feel like this one is not as good, but then again I do always think that right after I've finished.
I also entered Songfight, which is why one of the songs is called "House of Hodgman." | |
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UPD: Album-a-day
(02 Jan 2007 at 16:02) |
| Happy New Year everyone! Fun fact: 2007 is the biggest year number that anyone has ever experienced ever. Since today is back to work day I spent the day catching up on things so that I could procrastinate my thesis work. For instance, I updated the Album-a-day page with 30 new albums—it hadn't been updated since June! Phew. It's badly in need of a database backend; I feel like a Web 0.5 typewriter blogger. | |
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